The centre installation draws inspiration from the ancient concept of Spirit Terrace, an early astronomical observatory, a sacred place for watching the sky/heavens, symbolically linked to the Emperor’s divine mandate. In Resonance Aura, the installation takes the form of it through seven kinetic wheels, each self-revolving, each corresponding to a human chakra. One of these wheels can be removed and handed to audience in the performance, it allows direct interaction – a metaphor for how every exerts a unique influence in the vast wave of the cosmos. 

The sonic landscape employs the concept of Binaural sound frequency; it Binaural sound frequency for the brainwave — where if the left ear hears 100Hz and the right ear hears 120Hz, the brain perceives a third frequency of 20Hz. Featured experimental singer Sainkho Namtchylak to performs Khoomei (throat singing), carrying a point source speaker that projects her vocal precisely through space. Her immersive vocal expression draws the audience into a journey of vibrational healing and shared resonance. 

The universe is infinite. Beneath the stars, there are no borders but only us, connected by frequency, by breath and by the music of existence itself.